tandf: Ambix: Table of ContentsTable of Contents for Ambix. List of articles from both the latest and ahead of print issues.
https://www.tandfonline.com/loi/yamb20?af=R
tandf: Ambix: Table of Contentstandfen-USAmbixAmbixhttps://www.tandfonline.com/cms/asset/2e69d6a8-35b9-4d11-88b2-bbb005f1b6e1/default_cover.jpg
https://www.tandfonline.com/loi/yamb20?af=R
The Book on Alums and Salts of Pseudo-Rāzī
https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2222505?af=R
<a href="/toc/yamb20/70/sup1">Volume 70, Issue sup1</a>, 2023<br/>. <br/>Volume 70, Issue sup1, 2023<br/>. <br/>The Book on Alums and Salts of Pseudo-Rāzīdoi:10.1080/00026980.2023.2222505Ambix2024-02-22T10:30:37ZGabriele FerrarioAmbix70sup1S1S2082023-11-01T07:00:00Z2023-11-01T07:00:00Z10.1080/00026980.2023.2222505https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2222505?af=RCitrination and its Discontents: Yellow as a Sign of Alchemical Change
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2309059?af=R
. <br/>. <br/>Citrination and its Discontents: Yellow as a Sign of Alchemical Changedoi:10.1080/00026980.2024.2309059Ambix2024-02-29T10:24:59ZJennifer M. RamplingDepartment of History, Princeton University, Princeton, NJ, USAJennifer Rampling is Associate Professor of History at Princeton University, where she teaches in the Program in History of Science. She is a former editor of Ambix, and author of The Experimental Fire: Inventing English Alchemy, 1300–1700 (Chicago, 2020). She is currently working on two book projects on alchemical imagery, including a history of the illuminated manuscripts known as “Ripley Scrolls.”Ambix12510.1080/00026980.2024.2309059https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2309059?af=RMaking Yellows Last with Nitric Acid: Exploring Colour Permanence in Art and Knowledge, 1600–1850
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2311462?af=R
. <br/>. <br/>Making Yellows Last with Nitric Acid: Exploring Colour Permanence in Art and Knowledge, 1600–1850doi:10.1080/00026980.2024.2311462Ambix2024-03-06T08:40:15ZMarjolijn BolGiacomo Montanaria Technical Art History, Utrecht University, Utrecht, Netherlandsb Department of Philosophy and Communication Studies, University of Bologna, Bologna, ItalyMarjolijn Bol is Associate Professor in Technical Art History at Utrecht University and PI of the ERC Starting Project DURARE. Her research intersects with historical studies of craft, heritage, knowledge, and the environment with a special focus on performative methods (reconstruction) and written sources on art technology. Her current ERC research project investigates the impact of artisans’ and patrons’ ambitions to craft, own, and theorise durable objects on the long-term development of the visual and decorative arts. Her recent publications include The Varnish and the Glaze (Chicago, 2023) and the edited volume The Matter of Mimesis (Brill, 2023). E-mail: m.a.h.bol@uu.nl.Giacomo Montanari is a research fellow for the project “AlchemEast in the West: Graeco-Arabic Alchemy in Western Europe” (PI Professor Matteo Martelli) at the University of Bologna. Coming from a background in chemistry and in pharmaceutical sciences, his research involves the investigation of historical technological practices with a focus on experimental replications. E-mail: giacomo.montanari14@unibo.it.Ambix12510.1080/00026980.2024.2311462https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2311462?af=RIs Gold Yellow? Plant Dyes and Gold-Making in the Ancient Chemical Arts
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2309061?af=R
. <br/>. <br/>Is Gold Yellow? Plant Dyes and Gold-Making in the Ancient Chemical Artsdoi:10.1080/00026980.2024.2309061Ambix2024-03-07T10:24:42ZCaterina MancoMatteo MartelliHistory of Science, University of Bologna, Bologna, ItalyCaterina Manco is research associate at the University of Bologna. In 2020 she completed a PhD in Classics (Université Paul-Valéry Montpellier 3) and in History of Science (Università di Bologna) with a research project on the pharmacological plants in Galen’s treatise On Simple Drugs. In her current project, she focuses on the reception of ancient pharmacology in Ulisse Aldrovandi. Address: Università di Bologna, Dipartimento di Filosofia e Comunicazione, via Zamboni, 38, 40126 Bologna (BO), Italy. Email: caterina.manco2@unibo.it.Matteo Martelli (corresponding author) is Professor in History of Science at the University of Bologna. His research focuses on Graeco-Roman and Byzantine science (alchemy and medicine) and its reception in the Syro-Arabic tradition. He is currently working on a critical edition and translation of Zosimus of Panopolis’s alchemical books preserved in Syriac translation. Address: Università di Bologna, Dipartimento di Filosofia e Comunicazione, via Zamboni, 38, 40126 Bologna (BO), Italy.Ambix12510.1080/00026980.2024.2309061https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2309061?af=RStolen Horses and Scented Garments: Vegetal and Mineral Yellow in Arabic Technical Literature
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2311465?af=R
. <br/>. <br/>Stolen Horses and Scented Garments: Vegetal and Mineral Yellow in Arabic Technical Literaturedoi:10.1080/00026980.2024.2311465Ambix2024-03-01T09:35:26ZLucia RaggettiDepartment of Philosophy and Communication Studies, University of Bologna, Bologna, ItalyLucia Raggetti is a Professor of the History of Science at the University of Bologna, and PI of the ERC Project UseFool. Her research explores the knowledge of nature and its applications in mediaeval Arabic sources, as well as its longue durée transmission, from antiquity into early modern times. Her recent publications include ʿĪsā ibn ʿAlī's Book on the Useful Properties of Animal Parts and Un Coniglio nel turbante. Intrattenimento e inganno nella scienza Arabo-Islamica.Ambix13810.1080/00026980.2024.2311465https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2311465?af=RThe Historical Chemist
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2326803?af=R
. <br/>. <br/>The Historical Chemistdoi:10.1080/00026980.2024.2326803Ambix2024-03-14T09:21:01ZGiacomo MontanariMarianna MarchiniLucia Mainia Department of Philosophy, University of Bologna, Bologna, Italyb Department of Chemistry “G. Ciamician”, University of Bologna, Bologna, ItalyGiacomo Montanari is a research fellow for the FARE project “AlchemEast in the West: Graeco-Arabic Alchemy in Western Europe” (P.I. Professor Matteo Martelli) at the University of Bologna. Coming from a background in chemistry and in pharmaceutical sciences, his research involves the investigation of historical technological practices with a focus on experimental replications. E-mail: giacomo.montanari14@unibo.it.Marianna Marchini is a junior assistant professor (fixed term) in General and Inorganic Chemistry at the University of Bologna, currently involved in the ERC Project UseFool (P.I. Professor Lucia Raggetti). Her research investigates the replication of ancient procedures from the Arabic technical literature, which include the practical knowledge of nature as applied by merchants, charlatans, craftsmen, and entertainers in the streets, markets, and other public urban spaces of the Arabo-Islamic premodern world. E-mail: marianna.marchini2@unibo.itLucia Maini is a full professor of General and Inorganic Chemistry at the University of Bologna. Her research examines structural determination using X-ray diffraction techniques on single crystal and on powders. She has been involved in the ERC project AlchemEast, focusing on the experimental replication of historical recipes. E-mail: l.maini@unibo.itAmbix1910.1080/00026980.2024.2326803https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2326803?af=RChanging Colour: Yellow Dyes from Antiquity to Early Modernity
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2326802?af=R
. <br/>. <br/>Changing Colour: Yellow Dyes from Antiquity to Early Modernitydoi:10.1080/00026980.2024.2326802Ambix2024-03-20T09:30:40ZMarjolijn BolMatteo MartelliLucia RaggettiJennifer M. Ramplinga Technical Art History, Utrecht University, Utrecht, Netherlandsb History of Science, University of Bologna, Bologna, Italyc History, Princeton University, Princeton, NJ, USAMarjolijn Bol is Associate Professor in Technical Art History at Utrecht University and PI of the ERC Starting Project DURARE. Her research intersects with historical studies of craft, heritage, knowledge, and the environment with a special focus on performative methods (reconstruction) and written sources on art technology. Her current ERC research project investigates the impact of artisans’ and patrons’ ambitions to craft, own, and theorise durable objects on the long-term development of the visual and decorative arts. Her recent publications include The Varnish and the Glaze (Chicago, 2023) and the edited volume The Matter of Mimesis (Brill, 2023). E-mail address: m.a.h.bol@uu.nlMatteo Martelli is Professor in History of Science at the University of Bologna. His research focuses on Graeco-Roman and Byzantine science (alchemy and medicine) and its reception in the Syro-Arabic tradition. He is currently working on a critical edition and translation of Zosimus of Panopolis’s alchemical books preserved in Syriac translation. Email: matteo.martelli@unibo.it.Lucia Raggetti is Professor for the History of Science at the University of Bologna, and PI of the ERC Project UseFool. Her research explores the knowledge of nature and its applications in mediaeval Arabic sources, as well as its longue durée transmission, from antiquity into early modern times. Her recent publications include ʿĪsā ibn ʿAlī's Book on the Useful Properties of Animal Parts and Un Coniglio nel turbante. Intrattenimento e inganno nella scienza Arabo-Islamica. E-mail address: lucia.raggetti@unibo.itJennifer Rampling is Associate Professor of History at Princeton University, where she teaches in the Program for History of Science. She is a former editor of Ambix, and author of The Experimental Fire: Inventing English Alchemy, 1300–1700 (Chicago, 2020). She is currently working on two book projects on alchemical imagery, including a history of the emblematic manuscripts known as “Ripley Scrolls.” E-mail: rampling@princeton.eduAmbix1910.1080/00026980.2024.2326802https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2326802?af=RThe Gas Mask in Interwar Germany: Visions of Chemical Modernity
https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2272406?af=R
. <br/>. <br/>The Gas Mask in Interwar Germany: Visions of Chemical Modernitydoi:10.1080/00026980.2023.2272406Ambix2023-11-07T11:54:37ZAlison McManusJohns Hopkins UniversityAmbix1210.1080/00026980.2023.2272406https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2272406?af=RThe Alchemy of Conquest: Science, Religion, and the Secrets of the New World
https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2281094?af=R
. <br/>. <br/>The Alchemy of Conquest: Science, Religion, and the Secrets of the New Worlddoi:10.1080/00026980.2023.2281094Ambix2023-11-21T12:09:22ZJennifer M. RamplingPrinceton UniversityAmbix1210.1080/00026980.2023.2281094https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2281094?af=RAtoms, Corpuscles and Minima in the Renaissance
https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2290329?af=R
. <br/>. <br/>Atoms, Corpuscles and Minima in the Renaissancedoi:10.1080/00026980.2023.2290329Ambix2023-12-21T10:56:05ZAntonio ClericuzioUniversità Roma TreAmbix1210.1080/00026980.2023.2290329https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2290329?af=RAtmospheric Chemistry: A Critical Voyage Through the History
https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2296747?af=R
. <br/>. <br/>Atmospheric Chemistry: A Critical Voyage Through the Historydoi:10.1080/00026980.2023.2296747Ambix2024-01-16T12:44:34ZRégis BridayConservatoire National des Arts et Métiers, ParisAmbix1210.1080/00026980.2023.2296747https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2296747?af=RAlchemy and Exemplary Poetry in Middle English Literature
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2310887?af=R
. <br/>. <br/>Alchemy and Exemplary Poetry in Middle English Literaturedoi:10.1080/00026980.2024.2310887Ambix2024-01-30T01:08:01ZJoe StadolnikUniversity of ChicagoAmbix1210.1080/00026980.2024.2310887https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2310887?af=RMolecular World: Making Modern Chemistry
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2321688?af=R
. <br/>. <br/>Molecular World: Making Modern Chemistrydoi:10.1080/00026980.2024.2321688Ambix2024-03-13T04:28:06ZDavid E. LewisUniversity of Wisconsin-Eau ClaireAmbix1210.1080/00026980.2024.2321688https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2321688?af=RThe Three Deaths of Cerro de San Pedro: Four Centuries of Extractivism in a Small Mexican Mining Town
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2325323?af=R
. <br/>. <br/>The Three Deaths of Cerro de San Pedro: Four Centuries of Extractivism in a Small Mexican Mining Towndoi:10.1080/00026980.2024.2325323Ambix2024-03-15T09:32:10ZAndrés Vélez-PosadaUniversidad EAFIT, Medellín, ColombiaAmbix1210.1080/00026980.2024.2325323https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2325323?af=RThe Varnish and the Glaze: Painting Splendor with Oil, 1100–1500
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2325218?af=R
. <br/>. <br/>The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500doi:10.1080/00026980.2024.2325218Ambix2024-03-15T04:42:16ZCleo NisseUniversity of GroningenAmbix1210.1080/00026980.2024.2325218https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2325218?af=RSociety for the History of Alchemy and Chemistry Award Scheme 2024
https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2307207?af=R
. <br/>. <br/>Society for the History of Alchemy and Chemistry Award Scheme 2024doi:10.1080/00026980.2024.2307207Ambix2024-01-26T10:21:48ZAmbix1210.1080/00026980.2024.2307207https://www.tandfonline.com/doi/full/10.1080/00026980.2024.2307207?af=R