tandf: New Writing: Table of ContentsTable of Contents for New Writing. List of articles from both the latest and ahead of print issues.
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tandf: New Writing: Table of Contentstandfen-USNew WritingNew Writinghttps://www.tandfonline.com/cms/asset/e286ff1b-9cc5-4791-b658-d0edf76e0bfd/default_cover.jpg
https://www.tandfonline.com/loi/rmnw20?af=R
What are you doing it for? Realist writing – the riddled boundary that divides fiction and reality
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2216661?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 38-55<br/>. <br/>Volume 21, Issue 1, February 2024, Page 38-55<br/>. <br/>What are you doing it for? Realist writing – the riddled boundary that divides fiction and realitydoi:10.1080/14790726.2023.2216661New Writing2023-06-07T07:45:44ZJulia PrendergastSwinburne University, Hawthorn, AustraliaJulia Prendergast lives in Melbourne, Australia, on unceded Wurundjeri land. Her novel, The Earth Does Not Get Fat (2018) was longlisted for the Indie Book Awards (debut fiction). Her short story collection: Bloodrust and other stories was published in 2022. Julia is a practice-led researcher – an enthusiastic supporter of transdisciplinary, collaborative research practices, with a particular interest in neuro|psychoanalytic approaches to writing and creativity. Julia is Chair of the Australasian Association of Writing Programs (AAWP), the peak academic body representing the discipline of Creative Writing (Australasia). She is Associate Professor and Discipline Leader (Creative Writing and Publishing) at Swinburne University.New Writing21138552024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2023.2216661https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2216661?af=REnacting and exploring ideas in fiction: The Overstory and The Portable Veblen
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2222098?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 73-93<br/>. <br/>Volume 21, Issue 1, February 2024, Page 73-93<br/>. <br/>Enacting and exploring ideas in fiction: The Overstory and The Portable Veblendoi:10.1080/14790726.2023.2222098New Writing2023-06-20T06:37:49ZDonald NordbergExecutive Business Centre, Bournemouth University, Bournemouth, UKDonald Nordberg is Associate Professor at Bournemouth University Business School in the UK and a PhD candidate in creative writing at the University of Exeter. His papers on literary criticism and theory have appeared in New Writing and Philosophy and Literature. He is author of two books: The Cadbury Code and Recurrent Crisis (Palgrave, 2020) and Corporate Governance: Principles & Issues (Sage, 2011), as well as dozens of journal articles in management studies. He studied English literature and philosophy at the University of Illinois at Urbana-Champaign and business at the Universities of Warwick and Liverpool.New Writing21173932024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2023.2222098https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2222098?af=RA machine in the loop: the peculiar intervention of artificial intelligence in writer’s block
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2223176?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 26-37<br/>. <br/>Volume 21, Issue 1, February 2024, Page 26-37<br/>. <br/>A machine in the loop: the peculiar intervention of artificial intelligence in writer’s blockdoi:10.1080/14790726.2023.2223176New Writing2023-06-22T11:00:17ZIona GilburtCentre for Humanities Research, University of the Western Cape, Bellville, WC, South AfricaIona Gilburt From 2018–2020, Iona Gilburt was a Postdoctoral Fellow with the DSI-NRF SARChI Chair in Visual History and Theory at the Centre for Humanities Research (CHR) at the University of the Western Cape. Her research adopts interdisciplinary approaches to the study of written texts, considering how these intersect with visual cultures and visual theories. In 2020, she was a guest editor with Professor Patricia Hayes for the Kronos special issue Other Lives of the Image. Gilburt was awarded a Postdoctoral Fellowship with the National Institute for the Humanities and Social Sciences (NIHSS) in 2022. Her current research project examines the relationship between the human and technology, focusing on generative artificial intelligence.New Writing21126372024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2023.2223176https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2223176?af=RGreen encounters: critically creative inter/actions with-and-in ecologies of crisis
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2223188?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 4-25<br/>. <br/>Volume 21, Issue 1, February 2024, Page 4-25<br/>. <br/>Green encounters: critically creative inter/actions with-and-in ecologies of crisisdoi:10.1080/14790726.2023.2223188New Writing2023-07-11T11:17:12ZShannon SandfordChloe CannellStefanija RozitisAnneliese AbelaDante DeBonoLyndal Hordacre KobayashiSimon-Peter TelfordHeather McGinnBelinda LeesAden BurgEvan JarrettLily RobertsEugene TabiosAlex DunkinAmelia Walkera College of Humanities, Arts and Social Sciences, Flinders University, Adelaide, Australiab Creative People, Products and Places Research Centre, UniSA Creative, University of South Australia, Adelaide, Australiac Centre for Research in Educational and Social Inclusion, UniSA Education Futures, Adelaide, Australiad UniSA Justice & Society, University of South Australia, Adelaide, Australiae Research Centre for Languages and Cultures, UniSA Justice & Society, University of South Australia, Adelaide, Australiaf UniSA Creative, University of South Australia, Adelaide, AustraliaShannon Sandford is a casual teacher and researcher at Flinders University and the University of South Australia. Her PhD thesis, Drawing Digital: Exploring the Subjects and Spaces of Autobiographical Webcomics (Flinders University, 2022), examines autobiographical webcomics as an urgent and emerging form of self-representation that captures new trends in contemporary Life Writing studies. Shannon is the inaugural Transnational Literature Fellow at Flinders University, researching second- and third-generation migration stories in Australian graphic narratives. Her research has been published in On_Culture, TEXT: Journal of Writing and Writing Courses, Textual Practice, and Journal of Australian Studies (forthcoming).Chloe Cannell is a completing PhD candidate in creative writing at the University of South Australia. Her thesis explores representations of intersectional LGBTQIA + characters in contemporary young adult fiction. She has been published in TEXT: Journal of Writing and Writing Courses, hNiTRO: Non-Traditional Research Outputs, Writing From Below and Art/Research International. From 2018 to 2020 she worked on the organising committee for the South Australian Gender, Sex and Sexualities Postgraduate and ECR Conference.Stefanija (Stef) Rozitis (they/them) is a higher degree student researching the experiences of early childhood teachers and educators. Their work as a teacher and volunteer work in various activist roles have given them a passion for social justice, as well as the environment. It is Stef’s belief that education needs climate-humanities (literature, poetry, history) as well as STEM to create narratives of hopeful futures and explore the social and ethical implications of these. Their varied experiences and fluid social identity have given them a passion for transformative knowledge production.Anneliese Abela is a writer and PhD candidate at the University of South Australia. Her creative pieces and news articles have been published both in print and online, and her research focuses on WWI history, Australian war literature, and the power of fiction in recapturing the past. She has recently finished her first historical novel: a tale of friendship, grief, and survival amidst the futility of war.Dante DeBono is a PhD candidate at the University of South Australia with the goal of promoting social inclusivity and equality through work focussed on diversifying queer representation in research and creative outputs. Her current thesis is focused on the queer potential of revisionist adaptations in fiction. She has been on the central committee for the Gender, Sex and Sexualities Conference since 2021, and is an advisory team member for the UniSA Oral History Hub.Lyndal Hordacre Kobayashi is a PhD candidate in the Research Centre for Languages and Cultures at the University of South Australia. She has worked as a visual artist for 30 years with 15 years in Europe and Japan, and is now using her background in the arts to encourage monolingual research participants to explore their lived experiences with language/s. Lyndal lives in the Adelaide Hills, where she writes, works as a transpersonal art therapist, and cares for her youngest daughter with Down Syndrome.Simon-Peter Telford is a writer and poet from South Australia. He is a PhD candidate and teaches Creative Writing at the University of South Australia, where his research involves writing existential fiction for the Anthropocene.Heather Briony McGinn is a PhD candidate at the University of South Australia with a research focus on Beat Studies and feminist literary criticism. In the first year of her postgraduate research she developed l’écriture kinesthésique, a corporeal-based creative writing methodology.Belinda Lees is a PhD candidate researching screenwriting under the supervision of Prof Craig Batty and Dr Amelia Walker through the University of South Australia. She previously completed an MA in screenwriting at Cornwall’s Falmouth University. Since then, she has had short films and a feature titled The Clearing produced by John Finnegan’s screenwriting podcast The Script Department. Belinda has contributed around twenty comic children’s plays to Australia’s leading children’s literary magazine The School Magazine. She is a past winner of the Todhunter Literary Award, which she won for a one-act absurdist play. She works as an educator in a secondary school, teaching media and literature to senior students, where she draws on her credentials in performing arts, literature, media, and screenwriting.Aden Burg is an Adelaide-based creative writer who graduated from the University of South Australia with a Bachelor of Arts in English and Creative Writing. His detective short story, ‘No Return’, was published in the 2018 edition of the University of South Australia’s creative writing anthology series Piping Shrike. Aden’s passion is reading and writing fast-paced stories with unusual characters, a proclivity that bleeds into his research specialty of creative writing and visual storytelling in manga.Evan Jarrett is an Honours Candidate in Creative Writing at the University of South Australia. His work explores how fictional world-making can communicate the complex intersections between climate change, class, and the multiplicity of place. Evan was born in Adelaide, South Australia, and has long been fascinated with how places impact him, physically, emotionally, and, on a deeper level, spiritually. He frequently wonders, with the multitudes of ways in which climate change is impacting on places across the world, how people from different backgrounds and in different situations will be shaped by climate change themselves, and how they may respond to this.Lily May Roberts (she/her) is a Bachelor of Creative Arts (Honours) student at UniSA focusing on auto-ethnographic poetic practice. She was born and raised in Adelaide and her work concentrates on recovery from trauma and addiction through an engagement with the sensory and the spiritual. Lily is especially interested in exploring how poetry crosses over with mindfulness, the phenomenology of the embodied poet, and the development of an ecological method of relating that encourages systems-thinking for situating the self. Further down the track, she is interested in cultivating her own poetry therapy approach for recovering addicts and sexual assault survivors. Lily was awarded the Cecil Teesdale Smith Literary Award in 2021.Eugene Tabios is an emerging writer currently undertaking his Bachelor’s degree in Creative Writing and Linguistics at the University of South Australia. In 2016, his 100-word story, ‘Christmas Eve’, won fourth place in Sobrang Short Stories and his later, even shorter piece, ‘The Fateful Day’, written under his penname Placido Penitorpe, received publication in The Best of Sobrang Short Stories. When he moved from the Philippines to Australia, Eugene decided to pursue a career in humanities. Since then, he has dedicated himself to discovering new things, studying their intricacies, embracing their fleetingness, and putting them in writing, guided by his self-coined mantra to ‘observe and preserve’.Dr Alex Dunkin is an author, publisher and academic in professional and creative writing. His novels include Coming Out Catholic, Homebody, and Fair Day. He is the founder of the micropublishing label Buon-Cattivi Press, primarily publishing emerging writers and experimental forms of literature. He currently runs the new Green: A Blue Feet Anthology mentorship programme that develops for publication short creative fiction by higher degree research students. He tutors undergraduate courses in professional writing and creative short-form writing with a focus on preparation for writing in professional industry settings. He has worked as a journalist and reviewer with ongoing contributions to publications such as Glam Adelaide. He is passionate about creating pathways and lasting connections between the worlds of academia and creative industries.Dr Amelia Walker is a poet and lecturer in creative writing at the University of South Australia. She is the author of four poetry collections and three poetry teaching resource books in Macmillan's All You Need to Teach series. Her research writing operates across the nexus of critically creative, embodied and collaborative research methodologies. She is chief investigator on ‘Invisible Walls’, an Australia-Korea Foundation funded project focused on building intercultural connections between Korea and Australia by pairing Korean and Australian poets for fly-free literary exchanges using interpreted video-conferencing and poetry in translation.New Writing2114252024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2023.2223188https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2223188?af=RReading writing breathing
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2285091?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 94-124<br/>. <br/>Volume 21, Issue 1, February 2024, Page 94-124<br/>. <br/>Reading writing breathingdoi:10.1080/14790726.2023.2285091New Writing2024-01-30T01:11:24ZTim StephensEducation Developer, University of the Arts London, London, UKTim Stephens is an Education Researcher at University of the Arts London, a writer, and a photographic artist. With 30+ years’ experience of working in education with learners, artists, teachers, and organisations, his areas of interest are: the interplay between art and writing practices, embodiment, the relationship between cognitive and non-cognitive experience, and western and non-western ethics.New Writing211941242024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2023.2285091https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2285091?af=RAn Agreeable Crest: The New Writing 20th Anniversary Year
https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2314391?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 1-3<br/>. <br/>Volume 21, Issue 1, February 2024, Page 1-3<br/>. <br/>An Agreeable Crest: The New Writing 20th Anniversary Yeardoi:10.1080/14790726.2024.2314391New Writing2024-02-13T02:57:50ZGraeme HarperNew Writing211132024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2024.2314391https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2314391?af=RNew Writing 20th Anniversary interviews: Sir Andrew Motion
https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2312875?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 125-130<br/>. <br/>Volume 21, Issue 1, February 2024, Page 125-130<br/>. <br/>New Writing 20th Anniversary interviews: Sir Andrew Motiondoi:10.1080/14790726.2024.2312875New Writing2024-02-15T01:40:12ZGraeme HarperOakland University, USAGraeme Harper is the Editor of New Writing: The International Journal for the Practice and Theory of Creative Writing.New Writing2111251302024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2024.2312875https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2312875?af=RSpecial reality: Malcolm Lowry’s last notebook
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2223180?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 56-68<br/>. <br/>Volume 21, Issue 1, February 2024, Page 56-68<br/>. <br/>Special reality: Malcolm Lowry’s last notebookdoi:10.1080/14790726.2023.2223180New Writing2023-08-30T11:11:25ZHelen TookeyCreative Writing, Liverpool John Moores University, Liverpool, UKHelen Tookey is Reader in Creative Writing at Liverpool John Moores University. She has published three collections of poetry with Carcanet Press: Missel-Child (2014, shortlisted for the Seamus Heaney Prize), City of Departures (2019, shortlisted for the Forward Prize for Best Collection) and In the Quaker Hotel (2022). Since 2009, she has been involved in an ongoing public participation programme focused on the Wirral-born writer Malcolm Lowry (1909–57). With Bryan Biggs (Director of Cultural Legacies at Liverpool’s Bluecoat arts centre) she has co-edited two books arising from this project: Malcolm Lowry: From the Mersey to the World (Liverpool University Press, 2009) and Remaking the Voyage: New Essays on Malcolm Lowry and In Ballast to the White Sea (Liverpool University Press, 2020). The present article is part of a larger work in progress, a creative non-fiction book exploring her engagement with Lowry’s work.New Writing21156682024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2023.2223180https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2223180?af=RThe Penny Arcade
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2277437?af=R
<a href="/toc/rmnw20/21/1">Volume 21, Issue 1</a>, February 2024, Page 69-72<br/>. <br/>Volume 21, Issue 1, February 2024, Page 69-72<br/>. <br/>The Penny Arcadedoi:10.1080/14790726.2023.2277437New Writing2023-11-22T01:37:18ZHeidi ColthupDepartment of Film and Media, School of Arts, University of Kent, Canterbury, UKHeidi Colthup is a lecturer in English Language and Linguistics at the University of Kent, where she teaches media stylistics. Previously she was a magazine journalist; she now edits the Wye Review and Short Reads Magazine.New Writing21169722024-01-02T08:00:00Z2024-01-02T08:00:00Z10.1080/14790726.2023.2277437https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2277437?af=R‘A shared commitment … not to be miserable’: a Posthuman Artists’ Laboratory to explore writing collaborative climate fiction
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2253195?af=R
. <br/>. <br/>‘A shared commitment … not to be miserable’: a Posthuman Artists’ Laboratory to explore writing collaborative climate fictiondoi:10.1080/14790726.2023.2253195New Writing2023-09-12T09:09:08ZRachel HennessyAlex CothrenAmy Matthewsa School of Culture and Communication, University of Melbourne, Melbourne, Australiab College of Humanities, Arts and Social Sciences, Flinders University, Adelaide, AustraliaDr Rachel Hennessy is a lecturer in creative writing at the University of Melbourne's School of Culture and Communication. She is the award-winning author of four novels: The Quakers (2008), The Heaven I Swallowed (2013), River Stone (2019), and Mountain Arrow (2020). She also publishes short fiction and creative nonfiction. Rachel's research interests include creative writing pedagogy, posthumanism, and climate fiction.Dr Alex Cothren holds a PhD in creative writing from Flinders University. He is a winner of the Carmel Bird, William van Dyke, and Peter Carey Awards for short fiction, and his writings have been published in Meanjin, Island, Overland, The Griffith Review, and Australian Book Review. His short story manuscript, Let's Talk Trojan Bee, was shortlisted for the 2021 Speculate Prize.Dr Amy Matthews is an award-winning author who publishes under the names Amy T Matthews, Amy Barry, and Tess LeSue. She is a senior lecturer in creative writing at Flinders University and deputy director of the Assemblage Centre for Creative Arts. Amy has two books out in 2023: Amy T Matthews' Someone Else's Bucket List and Amy Barry's Marrying Off Morgan McBride. Amy's research interests are in genre fiction: popular romance, historical fiction, and fiction of climate change.New Writing11510.1080/14790726.2023.2253195https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2253195?af=RTruth recovery: an interview with Lance Olsen
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2285086?af=R
. <br/>. <br/>Truth recovery: an interview with Lance Olsendoi:10.1080/14790726.2023.2285086New Writing2023-12-14T11:11:49ZRupert LoydellSchool of Writing and Journalism, University of Falmouth, Falmouth, United KingdomRupert Loydell is Senior Lecturer in the School of Writing and Journalism at Falmouth University, the editor of Stride, a contributing editor to International Times and a widely published poet. His critical writing has appeared in Punk & Post-Punk (which he is on the editorial board of), New Writing, Revenant, The Journal of Visual Art Practice, Text, Axon, Musicology Research, Short Fiction in Theory and Practice, and he has contributed chapters to Brian Eno. Oblique Music (Bloomsbury, 2016), Critical Essays on Twin Peaks: The Return (Palgrave Macmillan, 2019), Music in Twin Peaks: Listen to the Sounds (Routledge, 2021) and Bodies, Noise and Power in Industrial Music (Palgrave Macmillan, 2022).New Writing11110.1080/14790726.2023.2285086https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2285086?af=RFlash fiction as a distinct literary form: some thoughts on time, space, and context
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2293767?af=R
. <br/>. <br/>Flash fiction as a distinct literary form: some thoughts on time, space, and contextdoi:10.1080/14790726.2023.2293767New Writing2024-01-16T11:56:38ZShelley Roche-JacquesCreative Writing, Sheffield Hallam University, Sheffield, UKShelley Roche-Jacques is a Senior Lecturer in Creative Writing at Sheffield Hallam University, where she is Course Leader for both the BA and MA Creative Writing programmes. Her poetry collections are Ripening Dark (2015) and Risk the Pier (2017), her short fiction is widely published and has appeared in publications such as Litro, Flash: The International Short-Short Story Magazine, The Bath Flash Fiction Award Anthology, and The Bridport Prize Anthology. Her practice-based PhD was titled Time, Space and Action in the Dramatic Monologue and her continued academic interest lies in the operation of time and space in short texts.New Writing11910.1080/14790726.2023.2293767https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2293767?af=R‘Becoming’ and POET literary placemaking as creative methodology for writing character and place in biofiction
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2298911?af=R
. <br/>. <br/>‘Becoming’ and POET literary placemaking as creative methodology for writing character and place in biofictiondoi:10.1080/14790726.2023.2298911New Writing2024-01-30T01:09:24ZEloise FaichneySchool of Culture and Communications, The University of Melbourne, Parkville, AustraliaDr Eloise Faichney is a writer, teacher, and researcher from Melbourne. Her PhD explored biofiction, authorial subjectivity and women's life narratives. Her latest publication, ‘Undisciplined Creation: Poetry on Tumblr as Autoethnographic and Authorial Practice’, appears in Post-Digital Book Cultures: Australian Perspectives by Monash University Publishing. Eloise’s research interrogates historical and digital life narratives, creative writing across digital platforms, and critical digital pedagogies. She is a Lecturer in the Media and Communications program at the University of Melbourne. She is currently working on a novel about the lives of author, Naomi Mitchison, and explorer, Zita Baker.New Writing12110.1080/14790726.2023.2298911https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2298911?af=RA pedagogy of liminality: towards visual poetry as a practice in decolonising creative writing pedagogy
https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2301957?af=R
. <br/>. <br/>A pedagogy of liminality: towards visual poetry as a practice in decolonising creative writing pedagogydoi:10.1080/14790726.2024.2301957New Writing2024-02-14T12:37:10ZMarisa TiradoMegan Davis Robertsa Program for Writing & Rhetoric, University of Colorado-Boulder, Boulder, CO, USAb English Education at Teachers College, Columbia University, New York, NY, USAMarisa Tirado is a Teaching Assistant Professor in the Program for Writing & Rhetoric at University of Colorado-Boulder. She is also a published poet, having received her MFA and certificate in literary translation at the Iowa Writers' Workshop. Marisa is interested in poetry pedagogy, pop-culture in poetry, and creating equitable secondary education writing courses.Megan Davis Roberts is an instructor and doctoral candidate in English Education at Teachers College, Columbia University. Her classrooms focus on creative writing, contemporary poetry, and dialogic processes of learning. Meg is interested in poetry pedagogy, poetic inquiry, and practices that invite poetics more effectively and wholeheartedly into classroom spaces.New Writing11810.1080/14790726.2024.2301957https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2301957?af=RThe intimate viewfinder: poetic ekphrasis of photographs and the illusion of the real
https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2315122?af=R
. <br/>. <br/>The intimate viewfinder: poetic ekphrasis of photographs and the illusion of the realdoi:10.1080/14790726.2024.2315122New Writing2024-02-23T09:44:58ZPaul HetheringtonCassandra Athertona Faculty of Arts and Design, University of Canberra, Canberra, Australiab Writing and Literature, Deakin University, Melbourne, AustraliaPaul Hetherington is a distinguished scholar and poet who has published 17 full-length poetry and prose poetry collections, a verse novel and 13 chapbooks, along with many academic chapters and articles. He has won or been nominated for more than 40 national and international awards and competitions, recently winning the 2021 Bruce Dawe National Poetry Prize. He has also edited ten further volumes. Paul is Professor Emeritus in the Faculty of Arts and Design at the University of Canberra, head of International Poetry Studies (IPSI) there and joint founding editor of the international online journal Axon: Creative Explorations. He founded the International Prose Poetry Group in 2014. With Cassandra Atherton, he co-authored Prose Poetry: An Introduction (Princeton University Press, 2020) and co-edited the Anthology of Australian Prose Poetry (Melbourne University Press, 2020).Cassandra Atherton is a widely anthologised and award-winning Australian prose poet. She has published 30 critical and creative books and been invited to edit special editions of leading journals. Cassandra is the successful recipient of many national and international grants including Australia Council, Copyright Agency and VicArts grants and is currently working on a book of prose poetry on the atomic bomb with funding from the Australia Council. Her books of prose poetry include Exhumed, (2016) Trace, (2016) Pre-Raphaelite (2018), Leftovers (2020) and the co-authored Fugitive Letters (2020). She is a commissioning editor of Westerly magazine, series editor for Spineless Wonders Microlit anthologies and associate editor at MadHat Press (USA). She co-authored Prose Poetry: An Introduction (Princeton University Press, 2020) and co-edited the Anthology of Australian Prose Poetry (Melbourne University Press, 2020). She is a Professor of Writing and Literature at Deakin University, Melbourne Australia.New Writing11310.1080/14790726.2024.2315122https://www.tandfonline.com/doi/full/10.1080/14790726.2024.2315122?af=RNormativity and other poems
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2288816?af=R
. <br/>. <br/>Normativity and other poemsdoi:10.1080/14790726.2023.2288816New Writing2024-01-25T12:23:11ZKathryn HummelDr Kathryn Hummel is an Australian-born writer, researcher and multi-media artist. Her digital media/poetry, non-fiction, scholarly research and fiction has been published, performed, translated, awarded and anthologised around the world; of her six books of poems, the latest is Lamentville (Math Paper Press, 2019). Currently, Kathryn works in India as a Visiting Associate Professor with the Department of Humanities and Social Sciences, Birla Institute of Science & Technology Pilani, K K Birla Goa campus. She researches at the intersection of ethnography, cultural studies and the arts.New Writing11010.1080/14790726.2023.2288816https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2288816?af=RArrivals and departures
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2298906?af=R
. <br/>. <br/>Arrivals and departuresdoi:10.1080/14790726.2023.2298906New Writing2024-01-24T02:29:22ZMichael CampbellIndependent writer, Canberra, AustraliaMichael Campbell has presented at conferences on narrative, continental philosophy and literary studies in Australia and Canada. He has a PhD from the University of Canberra.New Writing1710.1080/14790726.2023.2298906https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2298906?af=RLéon’s feet: a story of remembering
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2293765?af=R
. <br/>. <br/>Léon’s feet: a story of rememberingdoi:10.1080/14790726.2023.2293765New Writing2024-01-23T02:25:43ZPeter VermeerschUniversity of Leuven (KU Leuven), Leuven, BelgiumPeter Vermeersch is a professor of social sciences and international politics at the Faculty of Social Sciences at KU Leuven (University of Leuven, Belgium), where he is connected to the research group LINES (Leuven International and European Studies). His academic interests are ethnic and gender politics in post-communist Europe, nationalism, social movements, and restorative justice. He also publishes essays and literary non-fiction. http://www.petervermeersch.netNew Writing11110.1080/14790726.2023.2293765https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2293765?af=R‘Fixation cross’
https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2298905?af=R
. <br/>. <br/>‘Fixation cross’doi:10.1080/14790726.2023.2298905New Writing2024-02-14T12:33:33ZJulia PrendergastCreative Writing, Literature and Publishing, Swinburne University, AustraliaJulia Prendergast lives in Melbourne, Australia, on unceded Wurundjeri land. Her novel, The Earth Does Not Get Fat (2018) was longlisted for the Indie Book Awards (debut fiction). Her short-story collection: Bloodrust and Other Stories was published in 2022. Julia is a practice-led researcher – an enthusiastic supporter of transdisciplinary, collaborative research practices, with a particular interest in neuro|psychoanalytic approaches to writing and creativity. Julia is Chair of the Australasian Association of Writing Programs, the peak academic body representing the discipline of Creative Writing (Australasia). She is Associate Professor and Discipline Leader (Creative Writing, Literature and Publishing) at Swinburne University.New Writing1610.1080/14790726.2023.2298905https://www.tandfonline.com/doi/full/10.1080/14790726.2023.2298905?af=R