tandf: Journal of Textile Design Research and Practice: Table of ContentsTable of Contents for Journal of Textile Design Research and Practice. List of articles from both the latest and ahead of print issues.
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tandf: Journal of Textile Design Research and Practice: Table of Contentstandfen-USJournal of Textile Design Research and PracticeJournal of Textile Design Research and Practicehttps://www.tandfonline.com/cms/asset/3da95d3e-204e-4db3-ade9-1a1fb5031dd2/default_cover.jpg
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Broken Butterfly Wings: Exploring the Role of Textile Blends in the Circular Economy for Recycling and Disassembly
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2208929?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Broken Butterfly Wings: Exploring the Role of Textile Blends in the Circular Economy for Recycling and Disassemblydoi:10.1080/20511787.2023.2208929Journal of Textile Design Research and Practice2023-06-19T10:31:53ZCathryn Anneka HallLaetitia ForstKate GoldsworthyRebecca EarleyDr Cathryn Anneka Hall is a postdoctoral researcher at University of Arts London and Design School Kolding currently working on Bio-Inspired Textile research and ReSuit (Recycling Technologies and Sustainable Textile Product Design) research projects respectively. Working at the intersection of academia and industry, Cathryn’s research explores recycling, sorting, and designing of post-consumer waste textiles for the circular economy. cathryn.hall@arts.ac.ukDr Laetitia Forst completed her PhD on Textile Design for Disassembly in December 2020. Since then she has been a post-doctoral research fellow at UAL, working on the UKRI funded Business of Fashion and Textiles project with the Centre for Sustainable Fashion and on the EU Horizon 2020 funded HEREWEAR project with the Centre for Circular Design.Professor Kate Goldsworthy is Chair of Circular Design and Innovation and co-founder of the Centre for Circular Design at Chelsea College of Arts, University of the Arts London. Her research explores future manufacturing and material recovery contexts through interdisciplinary design and often involves R&D with industry partners to progress their circular and sustainable practices.Professor Rebecca Earley is a researcher, award-winning designer and co-founder of Centre for Circular Design at Chelsea College of Arts, University of the Arts London. Her creative fashion textile research work has been widely exhibited over the last twenty-five years. She leads EU project work packages on social and circular design and supports organisations to explore and embed creative strategies.Journal of Textile Design Research and Practice111-26332023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2208929https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2208929?af=RUsing E-Textiles to Challenge Gender Perceptions in STEM, Design and Career Aspirations of Secondary School Students
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2209960?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Using E-Textiles to Challenge Gender Perceptions in STEM, Design and Career Aspirations of Secondary School Studentsdoi:10.1080/20511787.2023.2209960Journal of Textile Design Research and Practice2023-06-19T10:45:55ZJanet CoulterDr Janet Coulter is a senior lecturer and researcher in fashion and textile design in the Belfast School of Art, Ulster University. She holds a PhD in fashion technology, an MBA, an MSc in multimedia computer-based learning, and a postgraduate diploma in Higher Education. Her research interests centre around technology in fashion to support wellbeing. Her collaborative and interdisciplinary research in fashion and textiles focus on digital technologies for the metaverse and bio-materials for sustainable fashion futures. jm.coulter@ulster.ac.ukJournal of Textile Design Research and Practice111-21681932023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2209960https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2209960?af=RResilience, Resourcefulness and Creativity: Learning from the Diversification of Guatemalan Artisans during the Pandemic to Sustain Textile Traditions
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2212515?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Resilience, Resourcefulness and Creativity: Learning from the Diversification of Guatemalan Artisans during the Pandemic to Sustain Textile Traditionsdoi:10.1080/20511787.2023.2212515Journal of Textile Design Research and Practice2023-06-19T10:50:11ZAnna PiperKatherine TownsendLuciana JaburAnna Piper is a textile designer and Senior Lecturer in Fashion Management and Communication at Sheffield Hallam University (UK). Anna recently completed her practice-led PhD Material Relationships: The textile and the garment, the maker and the machine (2019), a Nottingham Trent University Vice Chancellor Funded Studentship, investigating 3D/composite garment and pattern weaving integrating hand and digital jacquard technologies. Her research interests include zero-waste design, social and sustainable textile innovation, embodied knowledge and digital craft. A.Piper@shu.ac.ukKatherine Townsend is Professor of Fashion and Textile Practice at Nottingham Trent University where she leads the Digital Craft and Embodied Knowledge group in the Centre for Fashion and Textile Research. Katherine’s research encompasses sustainable fashion and textile design, cultural heritage and social innovation. Current projects focus on the impact of the pandemic on Guatemalan textile artisans, supported by the Global Challenges Research Fund and “Redesigning Reusable PPE Gowns” in response healthcare workers experiences of treating patients with COVID-19 (AHRC). She is co-editor of the journal of Craft Research (Intellect) and lead editor of Crafting Anatomies: Archives, Dialogues, Fabrications (Bloomsbury, 2020).Luciana Jabur is a US-based independent researcher. Born and raised in Brazil, Luciana studied for her MA in Marketing and Communication at the University of Arts London (UK), and has lived and worked in multiple South and Central American countries, including Guatemala. She worked as an affiliated researcher of the Development Through Empowerment, Entrepreneurship, and Design Lab for the Artisan Sector, led by Parsons School of Design (US). She started (Hand)Made to Market, a platform that aims to grow as a directory of sources and links to other artisan-related research, websites, NGOs, contributing to publishing the efforts of the artisan sector as a whole. Luciana currently serves on the Board of Directors of Friends of the Ixchel Museum.Journal of Textile Design Research and Practice111-234602023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2212515https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2212515?af=RThinking with My Hands: Embodied Cognition in Practice
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2226970?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Thinking with My Hands: Embodied Cognition in Practicedoi:10.1080/20511787.2023.2226970Journal of Textile Design Research and Practice2023-07-05T03:28:13ZFaye PowerFaye Power is a lecturer in Textiles and Surface Design at the University of Bolton working across both undergraduate and postgraduate programmes. Research interests include socially conscious practice; the relationship between creativity and wellbeing; media, materiality and immateriality and reflexive-material thinking. Faye is currently undertaking a PhD by practice developing multifaceted methodologies for capturing and examining material and immaterial sensory experiences. f.power@bolton.ac.ukJournal of Textile Design Research and Practice111-21111262023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2226970https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2226970?af=RDesigning In-Between: Innovation from Field to Fabric
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2228091?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Designing In-Between: Innovation from Field to Fabricdoi:10.1080/20511787.2023.2228091Journal of Textile Design Research and Practice2023-07-17T02:21:10ZLynn-Sayers McHattieLindsey Stewart SherrodLynn-Sayers McHattie is Professor of Design Innovation at The Glasgow School of Art. Lynn’s cross-cultural research explores craft and textile practices as “cultural assets”, which connect to the landscape and culture of geographically distributed communities, and the role design-led innovation can play in socio-cultural renewal and transformation of rural economies. In addition to her academic work, she is a textile designer with a small flock of Shetland sheep “of Barclay”, which she selectively breeds for fine, luxuriously soft fleece known as “kindly wool”; in pursuit of returning to the 1927 Shetland breed standard. The flock includes prize winning tups – Norman, a Grimester white and XSherlock a moorit – who are both Shetland Sheep Society Approved rams; two of only 59 in the UK. Trained as a weaver, Lynn specialises in the natural palette of Shetland colours in organic constructions and structures and also works in collaboration with young emerging designers. l.mchattie@gsa.ac.ukLindsey Stewart Sherrod is a graduate of the Master of Research Programme at The Glasgow School of Art where her research focused on textile afterlife and its relation to soil regeneration. Additionally, she is a designer working with agricultural producers to support alternate cycles of textile production that maintain development from field to finished product within a 300-mile radius. Previously, her work has been recognized by Forbes Magazine, along with guest lectures and speaker presentations within design and academic communities. Her research and practice contribute to design-led economic development within rural ecosystems and ongoing investment in textile production that sustains and contributes to geographically located communities, including those in the Highlands & Islands of Scotland. lindsey.sherrod@gmail.comJournal of Textile Design Research and Practice111-261802023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2228091https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2228091?af=RCollaborating with a Scottish Heritage Brand towards Enhancing and Preserving Sustainable Artisan Hand-Weaving Practices through a Knowledge Transfer Partnership
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2234650?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Collaborating with a Scottish Heritage Brand towards Enhancing and Preserving Sustainable Artisan Hand-Weaving Practices through a Knowledge Transfer Partnershipdoi:10.1080/20511787.2023.2234650Journal of Textile Design Research and Practice2023-07-24T09:52:27ZJosie SteedKaren Cross Beth WilsonJosie Steed is a senior lecturer and a design researcher at Gray’s School of Art, Robert Gordon University. She has written several research publications on textile craft and technology and collaborated on several research projects exploring new applications for textiles through smart textile technologies. Josie has a keen interest in fostering design innovation and Knowledge Exchange collaboration and worked as Principal Investigator on Knowledge Transfer Partnerships (KTP) with textile manufacturing businesses in Scotland. She is currently a principal investigator on the RSE-funded Immersive Scotland project, research co-investigator on the AHRC-funded Augmented Fashion project, and principal investigator for an AHRC funded 2-year KTP with Harris Tweed Hebrides.j.steed@rgu.ac.ukDr Karen Cross is the Associate Dean for Research in the School of Creative and Cultural Business, Robert Gordon University. Her research interests focus on how fashion and clothing can contribute to the psychosocial well-being of women; the use of immersive technologies within the fashion industry to tell stories of place, provenance, and people; and sustainable practices in fashion and textiles. She is currently a co-investigator on the RSE-funded Immersive Scotland project, which seeks to consolidate the immersive technology research and development activities taking place across Scotland; the AHRC-funded Augmented Fashion project, which involves Scottish fashion and textile SMEs from Lewis, Orkney, and Shetland; and the NPA-funded StoryTagging (Northword) project, commissioning Scottish creative practitioners to bring traditional stories to life through their medium.Beth Wilson is a woven textile designer with experience working with natural fibres in several Scottish textile mills. She has recently completed a Knowledge Transfer Partnership in the role of Associate, working between Harris Tweed Hebrides and Robert Gordon University developing new products for the Harris Tweed® industry with a focus on heritage and sustainability, that minimise seasonality. Beth is now a full-time staff member at Harris Tweed Hebrides.Journal of Textile Design Research and Practice111-21271472023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2234650https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2234650?af=RBioinspired Textiles; Observations from the Evaluation of a Novel Practice-Based Framework Linking Lessons on Sustainable/Circular Design from Biology to Textile Practice
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2240062?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Bioinspired Textiles; Observations from the Evaluation of a Novel Practice-Based Framework Linking Lessons on Sustainable/Circular Design from Biology to Textile Practicedoi:10.1080/20511787.2023.2240062Journal of Textile Design Research and Practice2023-10-16T10:06:08ZVeronika KapsaliCathryn Anneka HallVeronika Kapsali is a Professor of Materials Technology and Design at the London College of Fashion at UAL (University of the Arts London). Veronika is a leader in the newly emerging field of Bio-inspired design and has worked for 15+ years on a range of industry-focused applications that include the invention and development of biomimetic active fibres and textiles. Within this role, Veronika established the Active Material Systems Research Group and has attracted over £1 million in funding (UKRI/AHRC, Innovate UK, H2020, industry) including an AHRC Leadership Fellow to advance biologically informed design within the context of sustainable/circular textile practice. veronika.kapsali@fashion.arts.ac.uk Cathryn Anneka Hall is a postdoctoral researcher at University of Arts London and Design School Kolding currently working on Bio-Inspired Textile research and ReSuit (Recycling Technologies and Sustainable Textile Product Design) research projects respectively. Working at the intersection of academia and industry, Cathryn’s research explores recycling, sorting, and designing of post-consumer waste textiles for the circular economy. cathryn.hall@arts.ac.ukJournal of Textile Design Research and Practice111-21481672023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2240062https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2240062?af=RFeeling Well: Using the Augmented Touch of E-Textiles to Embody Emotion and Environment as a “Self-Health” Intervention for Female Student Wellbeing
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2242165?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Feeling Well: Using the Augmented Touch of E-Textiles to Embody Emotion and Environment as a “Self-Health” Intervention for Female Student Wellbeingdoi:10.1080/20511787.2023.2242165Journal of Textile Design Research and Practice2023-08-23T03:09:49ZJanet CoulterJanet Coulter is a senior lecturer and researcher in fashion design at Ulster University. She holds a PhD in fashion technology, an MBA, an MSc in multimedia computer-based learning, and a postgraduate diploma in Higher Education. Her research interests centre around technology in fashion to support emotional wellbeing. Her collaborative and interdisciplinary research in fashion and textiles focus on digital technologies for the metaverse and bio-materials for sustainable fashion futures.jm.coulter@ulster.ac.ukJournal of Textile Design Research and Practice111-2811102023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2242165https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2242165?af=RA Visual Exchange of Everyday History, a Creative Exploration to Build Contextual Awareness within Parallel Learning Communities
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2242172?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>A Visual Exchange of Everyday History, a Creative Exploration to Build Contextual Awareness within Parallel Learning Communitiesdoi:10.1080/20511787.2023.2242172Journal of Textile Design Research and Practice2023-08-16T03:15:14ZKate FarleyZoë HillyardKate Farley is a print and pattern designer and Associate Professor at Norwich University of the Arts, currently Course Leader of BA Textile Design, and Senior Fellow of the Higher Education Academy. With an interest in visual communication through pattern, and brand identity conveyed within bespoke design, Kate has undertaken commissions for clients including Transport for London, David Mellor Design Ltd, Barbican Centre, Birmingham Airport and Stamp and Diary, Japan. Own brand collections have included surface design for giftware and home interiors products manufactured in Britain. Kate’s book, Repeat Pattern for Interiors, was published by Bloomsbury in January 2023. K.farley@norwichuni.ac.ukZoë Hillyard has a background in textile design, fashion knitwear and volunteering. She is currently Course Director for BA(Hons) Textile Design within the Institute of Jewellery, Fashion and Textiles at Birmingham City University and is Senior Fellow of the Higher Education Academy. Zoë is an established craft practitioner known for cross-disciplinary work that re-contextualises existing materials and promotes discussion about contemporary relationships with possessions and resources. She is represented by CAA Gallery in London and is a Member of Society of Designer Craftsmen. Education and practice both inform her research interests in material innovation, circular design and community resilience. She thrives on cultural exchange and collaboration, highly valuing the international relationships she maintains.Journal of Textile Design Research and Practice111-21942122023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2242172https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2242172?af=REditorial
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2241834?af=R
<a href="/toc/rftd20/11/1-2">Volume 11, Issue 1-2</a>, February - June 2023<br/>. <br/>Volume 11, Issue 1-2, February - June 2023<br/>. <br/>Editorialdoi:10.1080/20511787.2023.2241834Journal of Textile Design Research and Practice2023-10-16T10:06:08ZAnne MarrJosie SteedHelena BrittAnne Marr is the Programme Director for Jewellery, Textiles and Materials at Central Saint Martins, UAL. Her research explores interdisciplinary textile-based approaches responding to societal needs to co-create more empathetic communities. Recent projects such as LEAD with the Jaipur Rugs Foundation empowered participants through novel co-design methodologies and collective leadership skills. Patterns of Perception with the UCL Wellcome Centre for Human Neuroimaging investigates lived experiences around Parkinson’s dementia to support dialogue and awareness as well as improve care and support.Additional information can be found at https://engagement.fil.ion.ucl.ac.uk/projects/pop-pd/Josie Steed is a Senior Lecturer and Design Researcher for Sustainability and Knowledge Exchange at Gray’s School of Art, Robert Gordon University. Her research focuses on exploring the role and relevance of new technologies, towards valuing textile heritage and craft making. Projects include Augmented Fashion to determine how immersive interactions can be used to communicate the experience and value of creative, artisan making, with a focus on sustainable clothing consumption and a 2-year Knowledge Transfer Partnershp with Harris Tweed Hebrides. Further information can be found at https://rgu-repository.worktribe.com/person/74886/josie-steedHelena Britt is Programme Leader for Textile Design at The Glasgow School of Art. Her research intersects historical and contemporary textile design practice and pedagogy using archive and practice-based methods, oral testimony and exhibition curation. Ongoing research examines how designers and design groups act as curators, collectors and archivists, appropriating and reinterpreting design practices, motifs and procedures. Helena is co-editor for the Journal of Textile Design Research and Practice and co-chair for Futurescan 5: Conscious Communities.Journal of Textile Design Research and Practice111-2152023-05-04T07:00:00Z2023-05-04T07:00:00Z10.1080/20511787.2023.2241834https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2241834?af=RNew Approaches for Textile Colouration and Surface Pattern Using Enzyme-based Biotechnology
https://www.tandfonline.com/doi/full/10.1080/20511787.2022.2151276?af=R
. <br/>. <br/>New Approaches for Textile Colouration and Surface Pattern Using Enzyme-based Biotechnologydoi:10.1080/20511787.2022.2151276Journal of Textile Design Research and Practice2022-12-20T10:43:36ZChetna D. PrajapatiEdward SmithFaith KaneJinsong ShenChetna Prajapati is a Lecturer in Textiles based within the School of Design and Creative Arts at Loughborough University, UK. Her research is dynamic and wide-ranging spanning across the breadth of the textile discipline which explore design for circularity and sustainability, complex histories embedded in textiles, or the use of textile-based interventions in healthcare.Edward Smith is a dye and textile chemist based in the Textile Engineering and Research Group at De Montfort University, Leicester. His current research interests are in bast fibre processing and textile biotechnology. He has a PhD in Colour and Polymer Chemistry from the University of Leeds.Faith Kane is a design researcher and educator working in the field of textiles and materials. Her research interests include design for sustainability, place-based design, collaborative working in the design/science space and the role and value of craft knowledge within these contexts. She is an Associate Professor at the School of Design within the College of Creative Arts at Massey University in Wellington New Zealand.Jinsong Shen is Professor of Textile Chemistry and Biotechnology at the School of Fashion and Textiles, and director of Textile Engineering and Materials (TEAM) Research Group, De Montfort University. His current interests lie in the areas of textile biotechnology, sol-gel technology, nanotechnology and flame retardant technology, and their applications leading to the development of protective garments and multifunctional materials. j.shen@dmu.ac.ukJournal of Textile Design Research and Practice12410.1080/20511787.2022.2151276https://www.tandfonline.com/doi/full/10.1080/20511787.2022.2151276?af=RKnitted Textiles, Sportsclothes and the Development of London Wholesale Couture: 1920–1939
https://www.tandfonline.com/doi/full/10.1080/20511787.2024.2316963?af=R
. <br/>. <br/>Knitted Textiles, Sportsclothes and the Development of London Wholesale Couture: 1920–1939doi:10.1080/20511787.2024.2316963Journal of Textile Design Research and Practice2024-03-21T11:51:19ZLiz TregenzaLiz Tregenza is a fashion and business historian. She is currently a lecturer at London College of Fashion and runs her own vintage business. She is the author of Wholesale Couture: London and Beyond, 1930–1970 (2023) and co-editor of Everyday Fashion: Interpreting British Clothing since 1600 (2023). She was awarded her PhD by the University of Brighton in 2018. l.tregenza@fashion.arts.ac.ukJournal of Textile Design Research and Practice12510.1080/20511787.2024.2316963https://www.tandfonline.com/doi/full/10.1080/20511787.2024.2316963?af=RTextile Design Theory in the Making by Elaine Igoe
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2241788?af=R
. <br/>. <br/>Textile Design Theory in the Making by Elaine Igoedoi:10.1080/20511787.2023.2241788Journal of Textile Design Research and Practice2023-08-21T01:50:59ZSonja AndrewDr Sonja Andrew, Associate Professor, School of Design, University of Leedss.m.andrew@leeds.ac.ukJournal of Textile Design Research and Practice1310.1080/20511787.2023.2241788https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2241788?af=RMasking in Pandemic U.S.: Beliefs and Practices of Containment and Connection
https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2205730?af=R
. <br/>. <br/>Masking in Pandemic U.S.: Beliefs and Practices of Containment and Connectiondoi:10.1080/20511787.2023.2205730Journal of Textile Design Research and Practice2023-05-02T09:52:58ZEmily LevickEmily Levick is a PhD candidate with the School of Museum Studies at the University of Leicester. Her research project focuses on how, and the extent to which, textiles in museum displays represent notions of femininity. She has previously written for The Guardian, The Jugaad Project, Museological Review, and TEXTILE. Emily has co-ordinated exhibitions on textiles and women’s history at Milton Keynes Museum, and she is currently a Contributing Editor for The Jugaad Project eal17@leicester.ac.ukJournal of Textile Design Research and Practice1410.1080/20511787.2023.2205730https://www.tandfonline.com/doi/full/10.1080/20511787.2023.2205730?af=R