tandf: The Journal of Modern Craft: Table of ContentsTable of Contents for The Journal of Modern Craft. List of articles from both the latest and ahead of print issues.
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tandf: The Journal of Modern Craft: Table of Contentstandfen-USThe Journal of Modern CraftThe Journal of Modern Crafthttps://www.tandfonline.com/cms/asset/afd43a05-eb1c-4e07-8397-1cebd7bdd108/default_cover.jpg
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Works in Thread and the Emergence of Israeli Fiber Art
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264633?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 115-134<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 115-134<br/>. <br/>Works in Thread and the Emergence of Israeli Fiber Artdoi:10.1080/17496772.2023.2264633The Journal of Modern Craft2023-11-14T06:13:20ZNoga BernsteinDr. Noga Bernstein is a faculty member at the Faculty of Design & Architecture, SCE-Sami Shamoon College of Engineering and Visiting Researcher at the Hebrew University in Jerusalem. A scholar ofmodern craft, art and design in Israel and the United States, her articles appeared in American Art and Journal of Design History. Noga's study of Israeli textiles after the 1940s was supported by a a Marie Sklodowska-Curie fellowship, and her work was awarded grantsfrom the Smithsonian Institution, the ACLS and the Center for Craft.The Journal of Modern Craft162-31151342023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264633https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264633?af=RIdentity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2269671?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 135-154<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 135-154<br/>. <br/>Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhendoi:10.1080/17496772.2023.2269671The Journal of Modern Craft2023-11-08T06:27:52ZRuoxi LiuRuoxi Liu is a PhD candidate at the Department of Sociology, University of Cambridge. Her research focus has been on the intersection of self-employment and cultural production in a developing context, such as in China. Her research interests also include craftsmanship, authenticity, subculture, decentralisation and alternative lifestyles.The Journal of Modern Craft162-31351542023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2269671https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2269671?af=RObscured Brilliance: Modern and Contemporary Vietnamese Lacquer
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2287373?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 155-171<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 155-171<br/>. <br/>Obscured Brilliance: Modern and Contemporary Vietnamese Lacquerdoi:10.1080/17496772.2023.2287373The Journal of Modern Craft2024-01-25T12:37:32ZElizabeth K. ThomsonElizabeth K. Thomson has recently completed a PhD on Vietnamese lacquer painting, based on her having studied lacquer with studio artists in Hanoi, combined with her educational (a BA in Fine Art and Masters in Applied Linguistics) and professional experience. Elizabeth is an academic tutor at the University for the Creative Arts, UK, and visiting lecturer at Sotheby’s Institute for Arts, with over fifteen years of working in HE arts education.The Journal of Modern Craft162-31551712023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2287373https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2287373?af=RSkin Crafts: Affect, Violence, and Materiality in Global Contemporary Art
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264628?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 223-225<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 223-225<br/>. <br/>Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Artdoi:10.1080/17496772.2023.2264628The Journal of Modern Craft2024-01-25T12:37:32ZSarah ParrishPlymouth State University, New Hampshire, USADr. Sarah Parrish is Associate Professor of Art History at Plymouth State University in New Hampshire, USA, as well as a curator and researcher specializing in contemporary fiber art.The Journal of Modern Craft162-32232252023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264628https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264628?af=RPerforming Craft in Mexico: Artisans, Aesthetics, and the Power of Translation
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264631?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 219-221<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 219-221<br/>. <br/>Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translationdoi:10.1080/17496772.2023.2264631The Journal of Modern Craft2024-01-25T12:37:32ZAnna HoddéConcordia University in Tio’tia:ke, (so-called Montréal, Canada)Anna Hoddé is a doctoral student in Art History at Concordia University in Tio’tia:ke, (so-called Montréal, Canada). Her research examines collaborative projects and relational practices in the production, promotion, and circulation of contemporary pottery in the region of Oaxaca, Mexico. She interrogates their potential for social transformation, and for the flourishing of counter-hegemonic practices and narratives at the intersection of craft and design studies.The Journal of Modern Craft162-32192212023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264631https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264631?af=REditorial
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2295129?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 111-113<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 111-113<br/>. <br/>Editorialdoi:10.1080/17496772.2023.2295129The Journal of Modern Craft2024-01-25T12:37:32ZThe Journal of Modern Craft162-31111132023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2295129https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2295129?af=RTeresa Lanceta: Weaving as Open Source
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264634?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 213-218<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 213-218<br/>. <br/>Teresa Lanceta: Weaving as Open Sourcedoi:10.1080/17496772.2023.2264634The Journal of Modern Craft2024-01-25T12:37:32ZJessica HemmingsJessica Hemmings is Professor of Craft at HDK-Valand, University of Gothenburg, Sweden. She is Visiting Professor with the Doctoral School of Moholy-Nagy University of Art and Design in Budapest, Hungary and the Rita Bolland Fellow at the Research Centre for Material Culture, the Netherlands (2020–2023). Forthcoming publications include a monograph about the Dutch fashion designer Iris van Herpen (ArtEZPress and V-A-C: 2023) and the second edition of The Textile Reader (Bloomsbury: 2023).The Journal of Modern Craft162-32132182023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264634https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264634?af=RIndisposable: Tactics for Care and Mourning
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264635?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 201-205<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 201-205<br/>. <br/>Indisposable: Tactics for Care and Mourningdoi:10.1080/17496772.2023.2264635The Journal of Modern Craft2024-01-25T12:37:32ZElizabeth GuffeyElizabeth Guffey is Professor of Art and Design History at the State University of New York, Purchase College. She is the author of Retro: The Culture of Revival (Reaktion, 2006) and Posters: A Global History (Reaktion, 2015). She is also co-editor of Making Disability Modern (with Bess Williamson, Bloomsbury, 2020), After Universal Design (Bloomsbury 2023) and author of Designing Disability (Bloomsbury, 2018). She is also the Founding Editor of the peer-review journal Design and Culture (Routledge). Her scholarly work has appeared in a variety of venues, including Design and Culture, Design Issues, and the Journal of Visual Culture. As part of her efforts to bring design and disability studies to broad publics, she has also authored essays in a number of range of publications, including The New York Times and The Nation.The Journal of Modern Craft162-32012052023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264635https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264635?af=RQueer Threads
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264636?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 207-211<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 207-211<br/>. <br/>Queer Threadsdoi:10.1080/17496772.2023.2264636The Journal of Modern Craft2024-01-25T12:37:32ZNicole ArcherNicole Archer, PhD, is an Assistant Professor in Visual and Critical Studies at Montclair State University’s Department of Art and Design. She also serves as a member of the College Art Association’s Board of Directors.The Journal of Modern Craft162-32072112023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264636https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264636?af=RExtracts from “A Civilization of Technics” (1945)
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264647?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 195-199<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 195-199<br/>. <br/>Extracts from “A Civilization of Technics” (1945)doi:10.1080/17496772.2023.2264647The Journal of Modern Craft2024-01-25T12:37:32ZPhilip Mairet“A Civilization of Technics” was first published in Prospect for Christendom, ed. M.B. Reckitt (London: Faber and Faber, 1945), 70–84, and re-printed in Philip Mairet, Autobiographical and Other Papers (Manchester: Carcanet, 1989), 207–24.The Journal of Modern Craft162-31951992023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264647https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264647?af=RCommentary
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264650?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 189-194<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 189-194<br/>. <br/>Commentarydoi:10.1080/17496772.2023.2264650The Journal of Modern Craft2024-01-25T12:37:32ZPhilip ConfordPhilip Conford taught English in the UK Further Education sector for 24 years before being awarded his PhD by the University of Reading in 2000 for research into the early history of the British organic farming movement. He has held research Fellowships at the Universities of Reading and Leicester. His monograph Realising Health, a study of the Peckham Experiment and its influence on initiatives in health promotion and community-building, was published in 2020.The Journal of Modern Craft162-31891942023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2264650https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2264650?af=RBetween Conventional Borders: Excerpts from the {Queer} + {Metals} Project
https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2287368?af=R
<a href="/toc/rfmc20/16/2-3">Volume 16, Issue 2-3</a>, July - November 2023, Page 173-187<br/>. <br/>Volume 16, Issue 2-3, July - November 2023, Page 173-187<br/>. <br/>Between Conventional Borders: Excerpts from the {Queer} + {Metals} Projectdoi:10.1080/17496772.2023.2287368The Journal of Modern Craft2024-01-25T12:37:32ZRebekah FrankProject OrganizersRebekah Frank (she/her) focuses her creative practice on steel and her writing practice on material-based artists with a focus on queer makers. San Francisco, USA.Dauvit Alexander (he/him) creates jewellery primarily aimed at men, using what would traditionally be seen as masculine materials—iron and steel—sourced from traditionally masculine backgrounds. Birmingham, UK.Deirdre Figueiredo (she/her) is Director of Craftspace and works as a curator and manager as in the field of contemporary visual arts, craft and museums. Birmingham, UK.The Journal of Modern Craft162-31731872023-09-02T07:00:00Z2023-09-02T07:00:00Z10.1080/17496772.2023.2287368https://www.tandfonline.com/doi/full/10.1080/17496772.2023.2287368?af=R