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Public Art Dialogue

Volume 5, 2015 - Issue 2
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Articles

An Expanded Perceptual Laboratory: Public Art and the Cinematic Techniques of Superimposition, Montage and Apparatus/Dispositif

Dave ColangeloView further author information
Pages 112-130
Published online: 24 Nov 2015
 
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Acknowledgements

This work was supported by the Social Sciences and Humanities Research Council of Canada.

Additional information

Notes on contributors

Dave Colangelo

Dave Colangelo is a media artist and adjunct professor in the History of New Media Art program at OCAD University (formerly Ontario College of Art and Design) in Toronto. He is also a research consultant at Streaming Museum, a curatorial network for public spaces and cultural centers based in New York City. He holds an M.A. in Cultural Studies from Goldsmiths, University of London, and a Ph.D. in Communication and Culture from Ryerson and York Universities. His work investigates the relationship between the moving image, digital culture and public art. Colangelo's writing has appeared in the Leonardo Electronic Almanac and The Journal of Curatorial Studies. His work (with collaborator Patricio Davila) has appeared at the International Symposium for Electronic Art in Istanbul (2011) and Sydney (2013), the Biennale of Architecture and Urbanism in Shenzhen/Hong Kong (2013–14), and the 2014 Media Architecture Biennale in Århus, Denmark.

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