https://orcid.org/0000-0002-6046-817X
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ABSTRACT
ABSTRACT
In this posthumanist performance essay, I consult Indigenous and Western ontologies to guide my fieldwork as a part of the Chaco Canyon landscape. In doing so, I test recent theories about object performance, which reveal a vibrant and vital path forward for theorizing about possibilities for conceptualizing about what and who performs in performance studies.
Disclosure statement
No potential conflict of interest was reported by the author(s).