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Articles

From myths to models: the (re)production of world culture in comparative education

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Pages 8-33
Received 01 Jul 2012
Accepted 01 May 2013
Published online: 11 Dec 2014
 

This article traces the emergence of the world culture theory in comparative education using critical discourse analysis. By chronicling the emergence and expansion of world culture theory over the past four decades, we highlight the (unintended) limitations and exclusive regimes of thought that have resulted. We argue that the theory's telos of a ‘world culture’ neglects the notions of power and agency, and continues to use discourses of modernism and ‘scientific’ methodology to justify conformity as the reigning global ‘norm’. The world culture theory ultimately results in an unwitting legitimisation of neoliberal policies and its varied educational projects. Drawing on the micro-, meso- and macro-levels of discourse analysis, we examine how the semantics and content of the world culture theory have evolved as it embraced an increasingly large and diverse community of scholars aligned with it. By highlighting some significant semantic shifts during the last four decades, we explore how the world culture theorists forged a relatively new (privileged) space in comparative education – a space that has increasingly turned deterministic and normative. Through a careful deconstruction of some of the basic assumptions of world culture theory, we call for reopening of an intellectual space for new ways of thinking about educational phenomena in the context of globalisation.

Acknowledgements

This article was originally written in 2009 and its earlier versions presented at the Comparative and International Education Society (CIES) conferences in Chicago (2010) and Montreal (2011). Some of the arguments presented here were incorporated into the article that appeared in the Comparative Education Review (Carney, Rappleye, and Silova, 2012). We would like to thank several colleagues for their thoughtful feedback on earlier versions of this article: Frances Vavrus, Andrew Shiotani, Jürgen Schriewer, Roger Dale, Stephen Carney, Steven J. Klees, Michael C. Russell and Jeremy Rappleye.

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